Plate
Poster Showcase

A white plate with eight holes, a black void, and a stack of Vignelli posters. Nothing moves except the paper.

1080×720 · 30fps  |  1200×1500 · 60fps · 8.5s · h264 · 2 variants · Vignelli · SIZE-ASSETS.COM

90 years1931–2022 Massimo Vignelli
8 holesØ 12px, white on black
2 platesLandscape Plate + Portrait Plate
White plate on black with Vignelli posters layered and red zigzag
Frame 03 — Plate.01, 3s: white field, red geometry, and black-and-white posters in overlap.

01 — The plate is the stage.

Not a frame, not a wall. A 4:3 white plate with eight circular perforations, photographed from above on a black void. The holes are not decoration — they are registration, like a Swiss poster press.

White plate with holes showing Vignelli posters underneath
Landscape plate — 1080×720, holes at corners and midpoints, 4:3, white on black.

Construction

Plate
White, matte, 4:3, 8× Ø12px holes
Field
Black void, no horizon, no shadow
Registration
Holes align to poster grid, not to page edge
Material
Paper on paper — poster on plate on void

WWW.SIZE-ASSETS.COM runs vertically at right edge, 10px mono, white on black, 90°.

02 — The posters do the work.

All posters are Vignelli — or in Vignelli’s language. Helvetica, strict grid, primary color, tight kerning, no image except geometry. The plate only holds; the posters speak.

01 — Star / vign

Lowercase “vign” cropped at gn, white on off-white, black abstract star. Red zigzag intrudes from below.

Helvetica · Black on white
Vignelli

02 — 1931–2022

Full name stacked, yellow–red block, 90° blue tube, pink–green dots. “90 years of Massimo Vignelli” vertical at right.

Yellow / Red / Blue
1

03 — Big “1” / “9”

Giant “9” in white on red, cropped, with black field and white counter. Date “1931–2022” small.

Red · 92
HHave a nice

04 — “Have a nice”

Red “H” on cream, “Have a nice” subline. Companion poster with stacked mugs (yellow→red).

Cream · Red

05 — Mugs

Four stacked mugs, each outline in primary color, left border. Vignelli wordmark at top.

Stack · CMYK+
92

06 — “92” overlay

Green “Vi”, blue “gn”, red “92”, blue “82” — overprinted, transparent, 1931–2022 legible underneath.

Overprint · Transparent

03 — Color is not decoration.

Vignelli’s palette: red, blue, yellow, green, pink, plus black and warm white. Every color is flat, 100%, no gradient except the plate’s soft shadow.

Red#FF1A1A
Blue#0098FF
Yellow#FFD500
Green#00A95C
Pink#FF6BEC
Black#000000
Warm White#F8F5EF
Void#0A0A0A
Collage of Vignelli posters with primary colors
Frame 05 — Variant 02: all posters in pile, colors collide but grid holds.

04 — Helvetica, always.

Vignelli: “If you can design one thing, you can design everything.” That one thing is Helvetica — tight, no tracking, left-aligned, rag right, never centered.

vignelli

Vignelli

92

Helvetica Bold1931–2022SIZE-ASSETS.COM

Rules

  • Lowercase “vignelli” for text, Capitalized “Vignelli” for title
  • “90 years of Massimo Vignelli 1931–2022” — vertical, 9px mono, right edge
  • “WWW.SIZE-ASSETS.COM” — 10px, white on black, 90° rotation
  • Never letterspace Helvetica — let the grid do the work

Detail

In frame 03, “vign” is cropped at the plate’s edge — the missing “elli” is implied by the red zigzag. Negative space is part of the type.

05 — The grid is the poster.

Every poster is a 4×6 grid, even when you can’t see it. The plate adds a second grid — the holes. Posters are placed to align hole to counter, edge to edge.

Placement

Top-left poster (“vign”) is rotated 18° and offset so its white curve aligns with the plate’s hole. Bottom red zigzag points to the hole at 2/3 height.

Overlap

Posters overlap by 1/6 of plate width. No drop shadow — only paper edge. The black void has no shadow, only contrast.

Scale

Landscape plate (1080×720) holds 1 large + 1 red wedge; portrait plate (1200×1500) stacks 5 posters vertically.

06 — Motion holds, then reveals.

8.5 seconds, no cut. Plates enter from top, posters slide, then hold for 2 seconds. The last 0.5s is a fade to black with holes still visible.

Variant 01 — Landscape plate · 1080×720 · 30fps · 229K · single plate, red wedge
Variant 02 — Portrait stack · 1200×1500 · 60fps · 887K · 5 posters in pile
0sblack + holes
1splate drops
3sposters land (hold)
5sstill — read
7sslight drift
8sfade to holes

07 — Frame by frame

Extracted at q=2, exact frames. Variant 01 is 3:2 landscape, Variant 02 is 4:5 portrait — same plate, different crop.

Variant 01 — Landscape (1080×720)

Plate1 0s
0s
Plate1 1s
1s
Plate1 3s
3s — hold
Plate1 5s
5s
Plate1 7s
7s
Plate1 8s
8s — fade

Variant 02 — Portrait (1200×1500)

Plate2 0s
0s
Plate2 1s
1s
Plate2 3s
3s
Plate2 5s
5s — pile
Plate2 7s
7s
Plate2 8s
8s

Vignelli’s “5-line manifesto” — semantic, visual, dynamic, economical, timeless — is not written, it’s shown by how little moves.